Lanre Adediwura rejects Wura return, saying the TV series did not benefit him financially and limited his acting career
Nigerian actor Lanre Adediwura has revealed why he declined an opportunity to return to the television series Wura, saying the production did not benefit him financially despite its impact on his career visibility.
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Adediwura made the disclosure during an interview on TVC Entertainment, where he spoke candidly about the financial and professional challenges he faced after leaving the show.
The actor explained that although the role was significant for his public profile, the earnings from the production were insufficient and eventually placed him under financial pressure.
According to him, the cost of participating in the series outweighed the income he received from it.
Lanre Adediwura rejects Wura return after what he described as an exhausting period that restricted him from pursuing other acting opportunities for nearly a year.
He said the production prevented him from taking part in other film projects during the 11 months he worked on the series, a situation he believes slowed his career growth and limited his income sources.
Adediwura disclosed that after his exit from the show, he spent about six months without a stable source of income and had to rely heavily on YouTube productions to survive.
The actor also revealed that he worked on other creative projects during the period, including translating House of Gaa from English to Yoruba.
He added that he was considered for the role of Alaafin Abiodun in another production, although the opportunity eventually did not materialise.
Despite his comments about the programme, Adediwura said he does not anticipate any legal dispute arising from his remarks.
He maintained that he made meaningful creative contributions to the series, including ideas and expressions that continue to be used in the production.
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The veteran actor’s comments have renewed conversations within Nigeria’s entertainment industry about remuneration, contract restrictions and the welfare of actors involved in long-running television productions.
